DERRIDA and GRAMSCI in NEW
CROSS
Within the space
of a year and a half, I have attended two graduation ceremonies at Goldsmiths
College, in New Cross, South-East London. Both featured the same son, bagging a
BA and then an MA.
It was “déjà vu”,
in a nice way, as the people involved were much the same, from the officiating
academics to the graduates – overwhelmingly, at the second February occasion,
MA students like my son (MA results are announced pretty late in the calendar year).
So I spent less time spectating the ceremony and admiring the hall (originally
built for the Royal Naval School for officers’ children in the mid nineteenth
century) and more time studying the Graduation Programme: especially the
academic subject categories of the graduates: both exceedingly diverse and
often bewildering (“MSc Computer Games
and Entertainment”? An easy butt for fogey-ish jeers).
At least most
subject descriptions were more or less comprehensible. However, I got stuck on
one: “MA Sociocultural Linguistics”. The sub-parts, “Socio”, “cultural” and
“linguistics” I could fairly well understand. But the compound? That stumped
me.
Later, I looked up
the course on the Goldsmiths website. Aha:
“The MA develops your understanding of historical and
contemporary debates in (socio)linguistics and discourse analysis and enhances
your analytic and linguistic skills by introducing different approaches to the
analysis of written and spoken language use from a range of everyday and
institutional contexts.”
So, briefly and
humbly ( and with the benefit of a bit more superficial research): the way
social status and cultural backgrounds shape language, written and spoken; and,
vice-versa, the way language usage shapes ( confirms, advances or hinders) social
status and cultural cohesion and understanding.
( In certain
academic spheres it is always safe to assert that, if factor A shapes B, B
repays the compliment to A.)
Learning all this
enlightened me retrospectively. For I had noticed that, whilst not all
graduates chose to attend the ceremony, they were all listed in the Programme. Most
subjects produced a patchy number of students on the day. The one exception was
“MA Sociocultural Linguistics”, the attainers of which, so far as I could tell,
had all pitched up.
I have a theory
about why this should be so. It is that the degree ceremony is a pre-eminent
occasion for fertile S-c L analysis, and no self-respecting S-c L graduate
should miss it.
The ceremony was
not just about the shaping power of language (always remembering the
vice-versa). You could say that the oratory and flummery are designed to cement
a certain self-confident cultural identity. But this would be a soft hit. A
much more interesting take was suggested by the history and “discourse” of the
morning’s recipient of an Honorary Goldsmiths Fellowship, Green Gartside.
I confess that I
didn’t know of him. He founded a long-lasting New Romantic band, “Scritti
Politti”. So said the Programme, which also noted that he is a “theorist” of
some sort.
When he gave his
acceptance speech, much more was revealed (including what I now take to be the
clinching reason for the attendance of the S-c L cohort). Gartside is a proud
auto-didact, who fell in with the European left-wing political and structuralist
philosophers, especially Gramsci and Derrida. Gramsci’s “Scritti Polittici” (
Political Writings) gave the band its name, although the second Italian word
was deliberately butchered in the interests of modish snappishness ( Discuss, MA class).
I am not a scholar
of either Scritti Politti or Gartside, so I don’t know where Derrida fits in.
Gartside did say that, being a lonely auto-didact, he didn’t know how to
pronounce “Derrida”. So when he (pretentiously? Aptly? Playfully?) referenced
him in a song, he pronounced the name “De-reed-a”.
This solecism, he said, was greeted with rapture by Deridda-savvy critics: what
an exquisite, playful, Deconstructionist move, worthy of the master himself!
“Correct” pronunciation is a flexible fraud…
Fired up by this,
I have taken to wondering (doubtless along with the S-c L graduates) about the
deeper semantics of the degree ceremony. I was unable to make a lot of sense of
the various robes and headgear sported by the University dignitaries, which seem
to have raided from the props department of costume dramas set across many
different centuries. Pride of place goes to the emerald green baggy Tudor cap
worn by one academic.
More interesting
are the modern compromises which some students make with the traditional
graduation cap and gown, which, of course, derive from medieval Christian
clerical dress. Especially ironic ( or should I say redolent with deep and
interesting contradiction and/or accommodation) is the sight of women Muslim
graduates wearing the mortarboard cap perched on top of an Islamic headscarf.
But the most
striking of the “constructed” appearances was not academic at all. The three
lord mayors of the local boroughs of Lewisham, Greenwich and Bromley were there
in all their mayoral finery: robes and, especially, large chains of office.
Bromley is Tory-controlled, a haven for grammar schools, and it mayor is white,
middle aged man, as in days gone by most mayors were. The other two, by
contrast, were a man of, seemingly, Afro-Caribbean descent and a woman of Asian
descent.
“Chains”, in the
past, would have indicated a far different status for Afro-Caribbeans. What do mayoral chains, worn by such a man and
woman represent now? An optimistic multicultural society? Perhaps; but Gartside’s hero, Gramsci, would
probably say, however, that the mayors were unwittingly illustrating “bourgeois
hegemony”: the ability, in Gramsci’s Marxist analysis, of the ruling class to
set the cultural norms of a society, and keep those norms biased in its favour;
so that successive generations of the “oppressed” are signed up to the
bourgeois social and economic narrative and bourgeois institutions.
On that reading,
the mayoral chain still signifies a subtle bondage. As Gramsci’s influential forerunner
might have said: “Mayors of the world,
you have nothing to lose but your chains”.
February 2015